OT: Composite/Component [was Re: [mythtv-users] Re: Image quality,
what effects it?]
Jay R. Ashworth
jra at baylink.com
Fri Aug 13 13:51:41 EDT 2004
On Fri, Aug 13, 2004 at 09:41:59AM -0400, Cory Papenfuss wrote:
> > The knee for luminance bandwidth in a traditional NTSC signal is
> > actually 4.2MHz, and, if your filtering wasn't good enough, you got
> > less. In *theory*, it's possible to move more through an S-video link,
> > but you have enough bandwidth on the tape to store it. S-VHS and Hi-8
> > can make use of more of what's already there, but I don't know that you
> > can usefully extend it any.
> >
> > In any event, Yves Faroudja has proved in his Super-NTSC labs that you
> > can fit into an NTSC channel a picture that would knock most
> > network-affil chief engineers *flat* on their ass; most NTSC gear is
> > truly garbage. But then they wouldn't be able to *sell* HDTV.
> >
> > Cf. Pogue Carburetor. :-)
>
> No big surprise there. It's sorta a "digitally enhanced" analog signal
> then... some post processing to recover some information to
> deinterlace/interpolate. I guess I recall the 4.2 MHz knee in the luminance.
> My main question was whether or not most consumer gear takes advantage of the
> possibility of more luminance bandwidth in S-Vid. If your source had plenty
> (DVD, CG, etc), you could even get more out of composite since the audio
> subcarrier isn't necessary anymore either, right?
True.
But most consumer equipment, even S-VHS, has a hard time making it
anywhere close to the 3.4 MHz you can get with composite.
Regular VHS is only good for about 240 lines of resolution in the first
place.
> >> It's almost exactly the same as the old "sync-on-green" three-coax
> >> workstation monitors. Oversimplified, Y=R+B+G, Pb=B-Y, Pr=R-Y and
> >> H/V sync is also added to Y. Realistically, they're weighted by
> >> their perceptual luminance, but for illustration it's not important.
> >
> > Well... yeah. And you're right; I and Q are *modulated* chroma, where
> > Pr and Pb are luminance signals, so there's more difference than I let
> > on.
> Luminance signals... of a specific color, I guess. True enough.... at
> least they're baseband video information, not modulated.
Correct: they're not (sub-)carriers; they're actual video you could
hook up to a monitor. In fact, rotating your Y-Pr-Pb cables on the
connectors can be pretty cool. :-)
> > Yeah; this is an issue I've always wondered about; those component
> > cables can carry signals that are *not* RS-170A timed, then, right?
>
> Sure... most of the transcoder boxes (A960, etc) wouldn't inherently
> have that limitation. Garbage in = garbage out. If TV's were "multisync" like
> computer monitors, they'd even work on it. I suspect that some of them
> would... some would also probably blow up and die, though too.
Indeed.
> >> Interesting. What do you mean exactly? Did the U-matic remix a
> >> "baseband" chrominance (demoded from the 3.58 subcarrier) onto 729kHz.
> >> Then send a differential I and Q down 2 pairs?
> >
> > No, it was like S-video: the chrominance was quadrature modulated, but
> > at 729kHz, instead of 3.58MHz; they shipped it out as Y/C; you can get
> > frequency heterodyne boxes to convert U-Matic Dub Out to "proper"
> > S-video.
> >
> > Remember, even on VHS, the NTSC color subcarrier is *not* recorded at
> > 3.58MHz.
> Gotcha... it's just that you said "4-wire" so I thought maybe they ran
> them separately. What's the color subcarrier on VHS?
Sorry, Y- Y+ C- C+. Not 4 cables: 4 *wires*. My fault.
I think it's down in the 600kHz area.
That's as close as anyone seems to want to go, on a short search; one
reference is here:
http://www.epanorama.net/links/videostorage.html
Here's a pretty decently written reference:
http://www.doom9.org/index.html?/capture/analogue_video.html
And here's a *really* nice list of tape formats:
http://www.labguysworld.com/formats.html
> > I understand that the problem is specifically the Bt878 chip, which
> > wants to bus-master its PCI transfers; the video4linux at redhat list
> > archives for the last month might be informative on this.
> >
> ? I was basically referring to the quantity of data that had to be
> passed. If it were true RGB (which it's not... probably a factor of 1/2 for
> 4:2:2), 720x480 * 30fps * 3 colors * 8bits/color = 31MBps... that's a lot of
> data for a PCI bus. Even with a 1/2 reduction for YUV and 1/2 D1 of 352x480,
> that's 7.5 MBps... still plenty. Trying to do HDTV would require
> proportionately more. That pretty much means it would have to encode to MPEG2
> (or MPEG4) on the fly to stream over the PCI bus. Lots of embedded CPU power
> necessary for that... 4x-8x hauppauge I suppose.
Yeah. The PcHDTV card is probably doing that.
> >>> Ok, I think it's time for someone to snipe at me now for trying to
> >>> be informative. ;-)
> >> Me too... :)
>
> "Techo-goobers hijack mythtv thread... full story at 11!" ;)
Time for mythtv-tech@?
For me, time for the hurricane. Maybe Bruce will be rid of me after
all.
Cheers,
-- jra
--
Jay R. Ashworth jra at baylink.com
Designer Baylink RFC 2100
Ashworth & Associates The Things I Think '87 e24
St Petersburg FL USA http://baylink.pitas.com +1 727 647 1274
"You know: I'm a fan of photosynthesis as much as the next guy,
but if God merely wanted us to smell the flowers, he wouldn't
have invented a 3GHz microprocessor and a 3D graphics board."
-- Luke Girardi
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